Showing posts with label John McTiernan. Show all posts
Showing posts with label John McTiernan. Show all posts

Wednesday, 11 January 2012

Die Hard With A Vengeance

The first thing you notice is that this movie is explicitly not called Die Hard 3. It’s as if everyone has just collectively ‘ahemed’, looked the other way and tried to pretend Renny Harlin’s piece of shit airplane yawn-fest (Die Hard 2) never happened. Certainly, I’ve tried.

After his tough-cop-on-the-edge character John McClane was confined to a high-rise building and airplane for the first two movies, Bruce Willis clearly decided his mammoth ego needed a slightly broader canvas this time round.

Still, it’s hard to pin-point exactly where the movie is set, because Bruce – entertainingly accompanied by Samuel L Jackson in full sass-mode as an angry shopkeeper – pretty much gets everywhere. First he zooms all over New York (Harlem, the subway, Central Park, Federal Reserve Bank). Then he almost drowns in a big tunnel, jumps off a suspension bridge and gets blown off an exploding container ship. Finally – god help us – he ends up in Quebec.

The real revelation is Jeremy Irons playing Simon Gruber, the revenge-seeking brother of Hans Gruber (Alan Rickman) who, you’ll remember, our Bruce yippee-kiyayed out a high-rise window in the first movie. While Rickman’s performance – oily and eloquent – has stood the test of time, in retrospect Irons here gave a display of mackerel-stinking proportions.

It’s a classic look-at-me turn, at once shouty and unconvincing (copyright: Al Pacino). The Allo, Allo accent is all over the shop, his tight powder-blue vest (Irons ‘bulked up’ for the role) looks camp as knickers and at no point did I not think: Oh look, there’s Jeremy Irons doing a funny, stilted voice. Terrible, terrible stuff.

Irons: As camp as knickers
There’s also a surreal moment where, to fool a cop, Irons affects a good ole boy accent. That means we have an English actor doing a not very good Euro accent trying to fake a drawling American accent. There may be words to describe what that actually sounds like but they’re beyond this writer.

The action finally swings to a port in Quebec, where our Jezza is whizzing about in an invincible attack helicopter and shooting merrily at everything. But doesn’t he realise it’s the last ten minutes of an action movie, and nothing’s exploded for a good 15 minutes? The fool!

Exploding helicopter innovation

Pretty standard fare here, with Irons following the time-honoured baddie tradition of throwing away a huge, seemingly unassailable advantage. Poised above pistol-wielding Bruce in a machine-gun helicopter and holding a huge shotgun, he naturally – instead of just shooting the prone figure on the tarmac below – smiles at him smugly for eleven seconds (I counted).

This gives our hero time to notice the chopper is idly whirring under some power cables. D’oh!. Being Bruce, he manages to sever a thick power cable with two quick pistol shots from half a mile away, which sends the chopper spinning into a telegraph pole. Ka-boom.



Do the passengers survive?

No. Jeremy, his evil girlfriend and his powder-blue vest are no more.

Positives

Spectacular and innovative the explosion ain’t, but it at least looks like there is a real helicopter on fire. There’s a nice back-shot of Bruce walking towards the blazing shell, which looks pretty authentic.

Negatives

It’s done professionally enough but the explosion lacks any real ambition, which is also the movie’s main problem. The grubby vest; the ‘Gruber’ villain; the trusty Afro-American side-kick. There’s a distinct sense of laurels being rested on here. (Bruce even says ‘Yippee-kiyay, motherfucker’ when the chopper explodes.) It wouldn’t have hurt to throw in a couple of new ideas.

Favourite quote

While being shot at by a helicopter machine gun, Bruce quips: “I had no idea Canada could be this much fun.” Well, I laughed.

Interesting fact

According to Richard E Grant’s entertaining memoir, With Nails, Bruce is a right tosser.

Review by: Chopper

Monday, 29 June 2009

Die Hard


When terrorists seize control of a tower block, an FBI team led by the great pock-marked villain Robert Davi, are brought in to free the hostages.

Davi’s plan involves cutting-off the buildings power and before giving them "helicopters up the ass". Exploding Helicopter is not sure if that's possible, but it sounds anatomically awkward. 

Regardless, Davi and his FBI colleague fly-in, ostensibly to evacuate the hostages, but really so they can shoot the terrorists. Unbeknownst to them, the villains have rigged the roof with explosives which are detonated, destroying the buildings upper floors and taking out the helicopter.

Number of exploding helicopters

1

Positives

There‘s a pleasing Vietnam reference when Robert Davi yells: “Just like fucking Saigon!” as they begin their low level chopper assault.

Negatives

Robert Davi never gets to deliver “helicopters up the ass” which surely would have been an anatomical first.

Exploding helicopter innovation

First known usage of a tower block to explode a helicopter.

Artistic merit

Disappointing. The helicopter’s explosion is overshadowed by the detonation of the tower block’s roof.

Favourite quote

"Hey, I read the papers, I watch 60 minutes, I say to myself, these guys are professionals, they’re motivated, they’re happening. They want something. Now, personally, I don’t care about your politics. Maybe you’re pissed at the camel Jockeys, maybe it’s the Hebes, Northern Ireland, that’s none of my business. I figure, you’re here to negotiate, am I right?"


Interesting fact

The film is based on a book by Roderick Thorpe - a sequel to a previous novel he had written called The Detective. A film of that novel was made in 1968 with Frank Sinatra. 


A clause in Old Blues Eyes contract, meant Sinatra had to be given first refusal on Die Hard - despite the fact he was 73 at the time. 


Review by: Jafo

Still want more? Then check out the Exploding Helicopter podcast episode on Die Hard. Available on Podomatic, iTunes, Stitcher or YourListen


Thursday, 18 June 2009

Predator

Arnold Schwarzenegger leads a team of elite, steroid inflated, troops into the jungle - accompanied by a pen-pushing CIA agent (Carl Weathers) - to rescue some soldiers who are being held captive.

After a failed attempt to rescue the hostages, Schwarzenegger and his team learn that they've been set-up by Weathers. They also learn the first rule of action films: never trust a CIA agent wearing a suit and tie.

Anyway, as they make their escape, the team find themselves hunted ruthlessly by "something like the chameleon".

Everyone dies, apart from Arnie who defeats the Predator by covering himself in mud and using advanced cub scout skills.

During the attack to rescue the hostages, Arnie converts an old broken down truck into a rolling bomb. As fighting breaks out across the enemies lair, one of the rebels attempts to make a getaway in a helicopter.

The doomed pilot flips switches inside the cockpit. As the rotor blades begin to slowly turn, Arnie steps forward and fires an RPG into the grounded whirlybird.

Verdict

A nicely handled explosion. For a fraction of a second the cockpit appears to contain the entire explosion and we see the pilot momentarily writhe in the inferno.

The explosion then balloons out swallowing the machine. The rotor blades continue to turn before folding slowly towards the ground.

The scene exposes one of the limitations of helicopters as escape vehicles - when they are stationary they are utterly ineffective for swift getaways.

Number of exploding helicopters

1

Artistic merit

The helicopter is consumed rather than blown apart by the explosion. The pilots doomed bid to escape and the slowly turning rotor blades add a touch of elegant fatalism.

Relevance to plot

Very little. Whilst not integral to the plot the helicopter makes a brief but plausible appearance.

Exploding helicopter innovation

None.

Postives

Helicopters play a pleasingly vital role throughout the film.

We first meet Schwarzenegger and his team arriving in a helicopter. Arnie particularly appears to savour the experience, lounging in the rear of the chopper as he languorously lights a massive cigar before getting out.

Later, Arnie’s team are flown into the jungle in a helicopter, during which we're treated to one of the greatest male bonding scenes ever filmed.

And finally, Arnie is ultimately rescued from the jungle by a helicopter after bellowing the immortal, “Get to the chopper!”


There's a lot of great helicopter related dialogue in Predator and Exploding Helicopter has actually pulled together a list of it. You can find it over on our Tumblr site.

Negatives

During the film Schwarzenegger’s men find a helicopter shot down by the Predator. Unfortunately we don’t get to see this mouth-watering incident.

Interesting fact

Jean Claude Van Damme was originally cast as the Predator. However, he quit after a couple of days filming apparently unhappy that he would only be seen in the film as a glorified special effect.


Review by: Jafo

Still haven't had enough? Then listen to the Exploding Helicopter crew discuss Predator on the Exploding Helicopter podcast. Find the show on iTunesPodomatic, Stitcher, or YourListen.