Showing posts with label Sean Connery. Show all posts
Showing posts with label Sean Connery. Show all posts

Monday, 19 December 2011

Diamonds Are Forever

Is this the worst James Bond film ever? It's hard to say. Especially as there’s been considerable competition for that title down the years. But one thing’s for certain, this is a decidedly shoddy effort.

Normally, Britain's most famous spy to performs his acts of heroic espionage against a backdrop of glamorous, globe-spanning locations. However, Diamonds Are Forever (1971) takes place, almost exclusively, amidst the sterile environs of Las Vegas. 

Along the way, the viewer is left unshaken and unstirred by scenes set in a funeral parlour and at a petrol station forecourt. As for the 'big' finale, this is staged on a visibly rusting oil rig. So much for 007's license to thrill. 

Looking at the drab settings, you start to wonder if the producers didn't have much money to work with. Which, as it turns out, they didn't.

With George Lazenby hanging up his Walther PPK, Sean Connery was lured back with a whopping cheque for $1.2m. A then unheard of sum for a film, Big Tam's inflated fee was 20 per cent of the film's entire budget. No wonder there was no money for location filming or special effects work (more on that later).

Little expense also seems to have been expended on the decidedly pedestrian story. Until the finale, events unfold with little urgency. And for the most part the plot has all the scope of a private eye novel.

Still, the film is not without elements to enjoy. Charles Gray puts a great turn in as Blofeld, effortlessly oozing urbane charm with his wonderfully expressive voice. 

Also fun are the deliciously camp henchmen, Mr Wint and Mr Kidd. Their wonderfully droll double act, filled with sly menace and sarcastic eye-browed arched one-liners, provides an interesting counterpoint to Bond's typically macho posturing. 

And it's to them that we owe the film’s first helicopter explosion. They double-cross a diamond smuggler by placing an explosive inside the suitcase of cash he's come to collect. As he flies off in a helicopter, the hidden explosive detonates blowing-up the whirlybird. 

But that's not the end of the chopper fireball action. During the oil rig finale a squadron of helicopters are flown in to attack the villain's lair. The oil rig’s defences try to hold off the attack and machine guns manage to shoot down two of the attacking copters.



Artistic merit

Diabolical. The film's budget issues are all too apparent in these scenes. Previous Bond entries (You Only Live Twice, From Russia With Love) had successfully and authentically blown up helicopters using clever model work. Here the helicopters just disappear behind orange special effects blobs. 

Exploding helicopter innovation

There’s no innovation on offer in this film. If anything Diamonds Are Forever seems to be trying to take the art of exploding helicopters backwards.

Number of exploding helicopters

Three.

Positives

I love the guy who sits passively in the control room on Blofeld’s oil rig intoning the audible countdown in a thick, deadpan, German accent: “Zyx min-eeets und koun-ting!”

Negatives

Connery’s bloated pay check estimated to be around 20% of the film‘s budget. Would the helicopter explosions have looked to shoddy if they handed over so much cash?

Interesting fact

The James Bond franchise could have looked very different as the potential casting for Diamonds Are Forever shows.

George Lazenby was offered the film, but declined as he was didn’t want to sign a lengthy contract to appear in further sequels.

The producers then tried to get Michael Gambon who declined on the basis of ill health. Batman Adam West also turned down the role because he felt Bond should be played by an Englishman. American TV actor John Gavin was then signed to the role. But Gavin subsequently had his contract paid in full after the record breaking deal with Connery was struck.

Review by: Jafo

Friday, 9 December 2011

You Only Live Twice


As a kid, I used to watch the James Bond films over-and-over again. My dad had taped them off TV, and during the long summer holidays I’d work my way through the series, then go back to the beginning and start again. 

So, having engrained these films into memory I’ve very rarely felt the need to revisit them. That’s why, before this viewing, it must be around 25-years since I’ve seen You Only Live Twice.  

The experience was very strange. The film was exactly as I remember, yet simultaneously different. What my younger self had overlooked was the off-the-charts level of sexism and smut.  

“Why do Chinese girls taste different from other girls?” asks Sean Connery in the film’s opening line of dialogue, setting the tone for the relentless innuendo that’s about to follow.  

The other point which jumped out at me was the ridiculousness of Connery’s Japanese conversion. It’s the least convincing Japanese fake I’ve seen since I bought a Matsui TV.  

As was then usual, the great John Barry provides the score. And if you ask for my two pence’s worth on the subject, the music is among his best work. The Nancy Sinatra-sung theme tune is also a cracker.  

The plot, though, is pretty loose. In fact, during scene where Bond gets married and trains as a ninja for no discernible reason, it completely halts. It’s as if the scriptwriters went outside for a cigarette and told everyone to carry on without them for 20 minutes. 

So, let’s wrap up these random jottings with the some exploding helicopter talk. Bond must find Blofeld’s base, so Q introduces our hero to Little Nellie - a heavily-armed, flat-pack helicopter. 

007’s reconnoitre appears attracts the attention of four Spectre helicopters. Fortunately, in an earlier scene, Q had handily briefed Bond and the audience on the different weapons Little Nellie has. 

Bond uses the flame thrower to despatch the first helicopter, before manoeuvring above his next victim. Now it’s time for the aerial mines which float gently down on little parachutes to blow up the helicopter and its bemused pilot. 

Bond continues to make short work of Spectre’s chopper squadron by blowing-up the next with his rockets, before completing the full house by destroying the final foe air-to-air heat-seeking missiles. 

Artistic merit 

Top notch, especially as you don’t often get to see an aerial dogfight played out between helicopters. And Little Nellie’s range of weaponry means we get to enjoy diverse methods of destruction.  

Exploding helicopter innovation 

First known use of a do-it-yourself helicopter. And aerial mines. I’ve never seen them before or since. 

Number of exploding helicopters 

Four. Which ranks it highly in the list of films with multiple exploding helicopter, alongside Broken Arrow, Rambo III, and Independence Day. 

Positives 

Helicopter fans get a nice treat during a car chase earlier in the film. Agent Aki (Akiko Wakabayashi) calls up a big Chinook helicopter equipped with a huge magnet to scoop up the villains car before dumping it into the ocean. 

Negatives 

Even by Bond’s standards the speed with which he moves in on his new Japanese wife after the murder of Aki is rather unseemly. Christ man, she still warm in her grave! 

Favourite quote 

“Little Nellie got a hot reception. Four big shots made improper advances towards her, but she defended her honour with great success.” 

Interesting fact 

You Only Live Twice is the only Bond film where 007 does not drive a car. 

Review by: Jafo

Still want more? Then listen to the Exploding Helicopter podcast episode on You Only Live Twice. Listen via iTunes, Acast, Sticher, Spotify or right here.


Monday, 15 August 2011

From Russia With Love


Sean Connery’s second outing as 007 is considered by Bond aficionados to be the best film in the series. And given that there are many excellent critiques of From Russia With Love already out there on the interweb, Exploding Helicopter will instead focus its attention on the chopper fireball action.   

We pick up the action with Connery trying make his escape pursuing SPECTRE agents in a lumbering truck. Unfortunately, the villains pick up his trail and start to buzz the truck in a small Hiller UK-12 helicopter. They try to kill Bond by dropping grenades on the truck but succeed only in disabling it. 

Grabbing a rifle, Bond takes cover behind some rocks and begins taking pot shots at the copter. Big Tam shoots the co-pilot in the shoulder causing him to fumble a grenade he’s about to drop. The clumsy co-pilot scrabbles around the cockpit for the grenade, but he’s too slow. The grenade explodes blowing up the helicopter in a delicious orangey fireball. 

The flaming whirlybird plummets from sky before crashing into the ground where it explodes twice more. As Connery scuttles back over to the truck the helicopter explodes again nicely silhouetting our hero against the inferno.  

Artist merit 

A humdinger of a helicopter explosion. You must salute director Terence Young and the special effects team for their gusto with which they set about destroying this helicopter. Have Jerry Bruckheimer and Michael Bay ever blown up the same helicopter four times? No sir, they have not. 

Exploding helicopter innovation 

Nothing particularly innovative, but the sequence does help establish the trope where the occupants of an exploding helicopter realise their fate moments before consumed in a conflagration.  

Sadly, as these are Russian agents no-one says: “What the?….” before being immolated. Unless of course they’re muttering it in Russian. 

Do passengers survive? 

They really should have if the klutz in the co-pilot hadn’t spent so long fumbling about for the grenade in the cockpit. 

Positives 

I doubt any fictional character has been responsible for as many exploding helicopters as 007 and Connery gets Bond off the mark in fine style. 

Negatives 

None. A faultless exploding helicopter sequence.