Sunday 24 May 2015

American Ninja

“Ninjas, thousands of ‘em.” As Michael Caine might have observed had he ever visited a video shop.

That’s because during the Eighties VHS boom, video store shelves groaned under the accumulated weight of films with titles like Ninja Dragon, Ninja Terminator and Ninja Hunt. Or Bionic Ninja, Clash of Ninja, Rage of Ninja… get the point.

Suffice to say, filmmakers' imaginations were limited only by the number of verbs and adjectives that could be sensibly (and in many cases, not so sensibly) bolted to the magical ‘n’ word.

Sniffing the opportunity to make a quick buck, those masters of action exploitation the Cannon Group came up with a cunning plan. Why not give the oriental, black-clad, stealth assassin formula a stars ‘n’ stripes makeover? And so the American Ninja (1985) was born. Hii-yaa, motherfucker.

The plot

Michael Dudikoff, a star of the VHS action era, plays an army private with a mysterious past. (In fact it’s a mystery even to him as a bout of amnesia means he can remember nothing of his childhood).
After arriving at his new posting, Dudikoff quickly finds himself entangled with illegal arms dealers and his commanding officer’s comely daughter (Judie Aronson).

Can Dudikoff stop the baddies? Will he get the girl? Or, in an unexpected break with convention, will our hero be romantically rejected moments after the villains happily complete their dastardly scheme? (Sadly, this is not that film, but we long to see it).

Please explain the ludicrous overly complicated sub-plot?

Exploding Helicopter loves films which give their heroes’ byzantine backstories that later, through a succession of unlikely twists, prove surprisingly relevant to present day proceedings.

Michael Dudikoff
So, of course, one's cliche antennae can't but start twitching during a hilarious early scene - ripe with clunking exposition - that reveals Dudikoff was actually raised on a remote Pacific Island under the care of a Japanese soldier who was unaware World War II had ended. Just fancy.

Such an outlandish personal history would normally take some explaining. But fortunately, the amnesia gimmick means the scriptwriters don't have to explain a thing about these extraordinary circumstances (though frankly we’d love to have heard it) or shed any light on how Dudikoff came to be supernaturally skillful at martial arts. Look, it just happened right?

This colourful biography appears entirely irrelevant, until we meet a wily old Japanese gardener who seems just a little too interested in our hero. Wait! No! Don't say it’s the man who raised Dudikoff all those years ago? And if that wasn’t preposterous enough, it turns out the oriental horticulturalist is working for the villainous Mr Big’s Dudikoff’s trying to stop.

Honestly, what were the odds? (Seriously, what were the odds? Because you could stick a fiver on that beauty and retire a rich man.)

Just how nuts is this film?

Let’s start with the villain. He’s an illegal arms dealer who - rather than lead a low key, incognito sort of life, away from the scrutiny of law enforcement - lives on a giant estate with a private army of highly trained ninja. Ludicrous this may be, but it does provide plenty of karate savvy, pyjama-wearing butt for Dudikoff to kick.

Ordinarily, a chop-socky action flick featuring a ninja warrior hero who has to battle an army of similarly skilled opponents use the services of an actor with a solid knowledge of martial arts. Think Jackie Chan; Jet Li; er, Steven Seagal. (Well, you get the point.)

But ordinary is not a word you'd ever associate with this film. Bizarrely, Michael Dudikoff was cast despite having no knowledge of ninjutsu, karate, or aikido (although I understand he’s a black belt in origami). It should have been a disaster. Incredibly, it works.

Is American Ninja worth watching?

It may be goofy, it may not even approach anything like making sense, but if you’re looking to relax, crack open a beer, and be entertained for ninety minutes then you really can’t go wrong.

In many ways, American Ninja is a microcosm of everything that was good about eighties action films. It creates a world where anything can happen, populates it with larger than life characters and gives them an easily understandable mission to complete. It’s a formula so simple you wonder how filmmakers today make such a mess of so many films. (Wachowski brothers - or sisters, or whichever gender you are this week: watch and learn.)

Exploding helicopter action

Chopper fireball fans have to be patient as our favourite fiery delight doesn’t take place until the film’s denouement.

Dudikoff enjoying a helicopter ride
With Dudikoff and his army buddies closing in, the villain tries to make a getaway by grabbing Dudikoff’s girlfriend hostage and escaping in a helicopter.

As the chopper lifts into the skies, our Mike grabs on to the landing skis of the whirlybird. Clambering up the outside of the craft, he swaps a few blows with the nasty desperado.

After freeing his squeeze, the ‘Dude’ leaps from the aircraft onto the roof of building over which it is conveniently hovering.

Back on the ground, a solider has whipped out a rocket launcher which he fires at the helicopter. You’ve likely been reading this website long enough to know what happens next. (Hint: the helicopter explodes).

Artistic merit

What’s not to enjoy? The fireball’s nice and juicy and we get to watch the wreckage crash to the ground in time honoured fashion. Yes, the helicopter’s is clearly a model, but it’s pretty convincing. Overall, it’s a winner.

Exploding helicopter innovation

None to report. Method and style of destruction have all been done many times before.

Do passengers survive?

As already mentioned, Dudikoff and Aronson survive. Leaping from an exploding helicopter is a fairly common occurrence and there’s certainly some fun to be had with it.

Angels & Demons, which featured the novel sight of Ewan McGregor playing, yes, the Pope as a weird sort of Catholic Obi Wan Kenobi, his McHoliness safely parachuted from miles up after disposing of a nuclear bomb. In helicopter escape circles, this perhaps remains the high watermark.

Sadly, in American Ninja, our heroes only have to jump about six feet from a helicopter that has no good reason to still be hovering so low in the first place.

Favourite line

Exploding Helicopter always enjoys filmmakers attempts to disguise exposition as a clumsy piece of dialogue. And there’s a wee gem to enjoy here.
“Have you ever heard of ninjutsu sir?”
“What's that?”
“The secret art of assassination.”
“Yeah of course I have!”

Interesting fact

Chuck Norris was originally cast in the lead role, but declined at the prospect of having to obscure his face by wearing a ninja outfit. “If I'm going to be in a film,” he loftily declared. “I don't want my face hidden.”

Given that Chuck has spent the majority of his career hiding his face behind a straggly pubic wig, some readers might find such a position of principle odd.

Review by: Jafo

Listen to the Exploding Helicopter podcast on American Ninja via iTunes, YourListen, Stitcher or Podomatic

Read reviews of American Ninja by our friends at Comeuppance Reviews and DTV Connoisseur.

Sunday 17 May 2015

The Interview

Depending on your view of the comedic merits of Seth Rogen, the pulling of The Interview’s (2014) release last year could be the most humane act ever connected with the North Korean regime.

As we all know, the film was famously canned after mysterious computer geeks hacked Sony’s computers and threatened attacks against any cinemas showing the film.

In response, liberals the world over suddenly became fully fledged Seth Rogen fans (at least until the moment they actually saw the movie) and supplied Sony with more free publicity than they could have ever possibly imagined.

The plot 

A celebrity chat show host and his loyal producer manage to land an interview with North Korean leader Kim Jung-Un, after discovering he’s a massive fan of the show. This piques the interest of the CIA who recruit the pair to use the interview as cover for a covert assassination attempt.

Who the hell is in this? 

Seth Rogen plays Aaron Rapaport, producer of the Skylark show which is fronted by Dave Skylark (James Franco). Rogen and Franco have appeared in a whole host of films together.

When they first teamed-up it seemed that Franco was giving a leg up to the more junior Rogen, but now the roles seem to have reversed with the comedian helping to give his homeboy a pay check.

The good 

Whether you ultimately like this or not will really depend on your taste for Seth Rogen, but Eminem’s cameo role as a guest coming out on the Skylark show was a high point. For the rest of the movie Rogen plays his usual loveable bear character who eventually triumphs and gets the girl.

While many can’t stand Seth Rogen films – his mere involvement proving a turn off - he has expanded his repertoire somewhat (admittedly not in this film) and is very likeable. Although Franco’s turn is a major downside to the film his bonding with Kim Jung-Un over father issues, a mutual love of margheritas and Katy Perry is very well done.

The bad 

Rogen goes for some easy ‘me so sorry’ laughs early on that really let the film down and do nothing to combat accusations of racism. There’s also an unnecessary section set in China after Rogen’s character is summoned to meet with Kim Jung-un’s representatives to discuss a possible interview.

The only conceivable reason for its inclusion is that Rogen (who is always in charge of a Rogen film) wanted to see China, because the punchline the gag builds to is really not worth it. There’s also some weirdly over the top blood splattered goriness that comes from nowhere.

The unwatchable 

Two words. James Franco.

I get that he is playing an over the top celebrity chat show host but Franco’s performance contains more ham than a high street butcher’s shop. The gurning and extreme facial expressions are bad enough but what seems to be ad-libbing (and I really hope it can be put down to ad-libbing) shows the paucity of Franco’s comedic chops.

Seth Rogen could have been kinder to his mate and employed a harsher editor – or just made sure he stuck to the script.

Exploding helicopter action 

After the initial plan to kill Kim Jung-un with a slow releasing poison goes tits up, the good guys eventually assassinate the supreme leader by firing a rocket from a tank into a helicopter. Seconds away from setting off a nuclear attack, the grinning Kim Jung-un’s face turns to horror as he realises his impending doom.

Artistic merit 

As the missile is fired we see the attack in slow motion to a soundtrack of Katy Perry’s ‘Firework’ (I obviously wasn’t aware of this song before watching this movie). After an explosion that turns the North Korean leader into a human fireball we see the chopper fall from the sky behind the heroes’ tank. And then there’s some more awesome explosions.

Favourite line 

Again it depends on whether you go for Seth Rogen’s brand of humour – and I generally do – but the gallery of the Skylark Show shouting “Eminem is gay on our show” worked for me. As did the “McConaughey goat fuck!” shout after hearing of another celeb story.

Those of a slightly more cerebral nature might enjoy the “How many times must the USA make the same mistakes? – As many as it takes” exchange.


‘Their Trip to North Korea Just Went South’ is pretty ho-hum but the alternative ‘From the Western Capitalist Pigs Who Brought You Bad Neighbours and This is the End’ is a nice touch.

Review by: Dan Roberts (@lasvegasWI) you can find more of Dan Roberts ramblings at DanRobertsRambling.

Still want more? Then check out the Exploding Helicopter podcast on The Interview. Available on iTunes, Podomatic, YourListen, Acast and Stitcher.