Friday 31 July 2015

Jurassic World

Like Tony Blair, grunge and TFI Friday, some things are best left in the nineties. So when I saw the trailer for Jurassic World (2015), I groaned.

Surely the dinosaur franchise, with all its CGI velociraptors and dino-shenanigans, was something best left in the ‘cultural attic’ along with all those discarded Furbies, Tamagotchis and Vengaboys CDs?

But, contrary to my jaded cynicism, it turns out I was wrong. Because far from being an embarrassing rehash Jurassic World is a rollickingly good action film. Maybe that big screen reboot of Saved By The Bell wouldn’t be such a bad idea after all. Then again…..

The plot

The dinosaur theme park envisaged in the first film is now a reality. Visitors can watch giant sea-beasts perform in an aquarium, tour fields of grazing diplodocus or cuddle baby triceratops in the petting zoo. (Surprisingly, the death and destruction depicted in the first three films proved no barrier to Jurassic World opening).

But with tourists growing bored of the prehistoric attractions the only way for the park’s owners to keep selling tickets is to unveil new and evermore exciting monsters. So, in a secret laboratory, a sinister scientist has created a genetically modified uber-dinosaur: the Indominus Rex.

Naturally, the hybrid-o-saur escapes its escape-proof cage and begins treating the theme park like a giant all-you-can-eat buffet. Caught up in the carnage are two young brothers visiting their flaky aunt, who is also the park manager. They team-up with the film’s hero, a former Navy Seal turned dino-researcher (apparently the skills are very transferrable).

Can the good guys survive? And will the villains be torn apart by monsters from millennia past? Well, if Jurassic Park one, two and three are anything to go by, then very possibly yes.

Who’s in it?

As the muscular, pecs-flexing hero, Chris Pratt bounces through the film with cocksure confidence of someone who’s read the script and knows they’ll make it safely to the closing credits.

He’s cast alongside Bryce Dallas Howard who follows up wretched turns in Terminator Salvation, Lady In The Water, The Village - frankly just about everything she’s ever been in – with another stinker.

She plays a cold-hearted corporate-wonk who makes an unconvincingly transformation into a fluffy bunny family-type. The scene where her frosty reserve finally melts at the sight of dying diplodocus is so feeble it makes her dad’s turn as Richie Cunningham seem positively Shakespearian.

Meanwhile, a paunchy Vincent D’Onofrio huffs and puffs his was through a role as a Machiavellian military officer. Our Vince once played a svelte soldier in Stanley Kubrick’s Full Metal Jacket. But, with his gut straining at his army fatigues, these days it’s clearly more Full Metal Corset.

There’s also an interesting supporting turn from Omar Sy in what’s traditionally known as the ‘black best friend’ role. Hollywood convention would normally dictate that Sy’s character provide a nice snack for a hungry dinosaur. But, in a surprising break with movie cliché the token black die man doesn’t die. Whatever next? Movies with interracial couples?

Favourite bits

The death of the park manager’s painfully English assistant is simultaneously hilarious and gruesome. Posh, sniffy and slightly rude, she appears to have wandered onto set from an episode of Downtown Abbey. Plucked up by a pterosaur, the unfortunate archetype is tossed around a few times before a mososaur emerges from the aquarium and swallows the screeching cliche and pointy-beaked bird whole.

That’s good, but the ending is even better. This sees the Jurassic Park’s iconic T-Rex released from his cage to battle the hybrid-o-saur. Although not without help from a raptor and the mososaur.

Victorious, the T-Rex heads to a hilltop overlooking the park before roaring in triumph. It’s the dino-equivalent of Sylvester Stallone running up the steps in Rocky to celebrate that he’s still the champ.

Exploding helicopter action

With the mongrel-rex wreaking havoc, the park’s owner (Irrfan Khan) decides he has to act. Jumping into a chopper with a couple of soldiers he flies off to locate the mutant dinosaur.

After tracking the beast down, they unleash a hail of bullets which makes Indominus run straight into a giant aviary (a sort Centre Parcs for pterosaurs). In a frenzy, the birds fly out the hole and start to attack the helicopter with one spearing their beak through the chopper’s windscreen.

Panic in the cockpit ensues, and the chopper spirals out-of-control, crashing through the roof of the giant glass dome, before exploding on impact with the ground. “You’ve just been made extinct,” quips the pterosaur. Or possibly not.

Exploding helicopter innovation

I can say with confidence this is the first time a chopper has been destroyed by a pterosaur.

Favourite quote

While Chris Pratt explains the hierarchy of the velociraptors he’s training, a small boy asks him, “Who’s the alpha?”
“You’re looking at him kid,” comes the cocky reply.

Interesting fact

The giant sea creature in the film is known as a mosasaur. These massive sea lizards weighed as much as 15 tonnes - roughly half the weight of the money this film has made (almost $1 billion so far).

Sure, there’s a few bum notes, wooden acting and highly improbable plotting, but this is a terrifically enjoyable movie.

Review by: Jindy

Want more? Then listen to the Exploding Helicopter podcast episode on Jurassic World. Tune in on iTunes, Podomatic, YourListen or Stitcher.

Saturday 18 July 2015

Fire Birds

In 1986, Top Gun took the breath away (geddit?) of films fans around the world.

An exciting tale of testosterone-fuelled fighter pilots engaged in death-defying aerial dogfights, the film did however sport one noticeable flaw: no helicopters.

Fortunately, that grave error was corrected a few years later with the release of Fire Birds (1990) - or Wings of the Apache as it’s sometimes called.

This not-entirely-original film is ‘inspired by’ (Hollywood parlance for bare-facedly nicked from) the plot of Top Gun. Still, at least here they’ve made the obvious improvement of swapping all fixed wing aircraft for everyone’s favourite rotor-bladed model. Only makes sense, really.

The plot

America is losing the war on drugs. Narcotics are being smuggled across the border with impunity, as the evil (ie. foreign) cartels have hired a mysterious helicopter ace to shoot down US air patrols.

With their men outgunned and out-flown, Uncle Sam sends his top pilots to an elite flight school. Their mission is simple: prepare for a deadly and visually entertaining attack on their deadly foe.

Will our heroes complete their demanding training? Are they equipped to defeat their lethal enemy? Can they become Top Gun? (Well, would you want to ‘become a Fire Bird’? It just sounds ridiculous.)

Who the hell’s in this?

Given the numerous similarities to Top Gun, it’s perhaps easiest to outline the Fire Birds cast in relation to the original players.

Nicolas Cage: horse faced, hair replacement enthusiast
So, who’s playing the cocky, hot-shot pilot who has more to learn about humility than flying a helicopter? (In other words, the Tom Cruise role.) Yes, it’s everybody’s favourite horse-featured over-actor, hair replacement enthusiast Nicolas Cage.

As Cage’s love interest - the surrogate Kelly McGillis - we have Sean Young, who you’ll remember from Blade Runner – and frankly, nothing else.

That’s because the stroppy moppet was famously so crashingly horrible to work with, even by Hollywood’s own risible standards, that the entire film industry shut her out.

Meanwhile, Tommy Lee Jones stars as a gruff military task-master who belittles, berates and bullies his charges into finding their true potential as crack pilots. (Of course, any similarity to Tom Skerritt’s character in Top Gun is entirely intentional).

Normally a reliable and classy presence in any film, TLJ gives possibly the worst performance of his career. Forced by a duff script to deliver turgid mouthfuls of macho claptrap, the baggy-eyed thespian seems to visibly throw in the towel. Rarely have lines been recited on film with such monotone disinterest.

The only convincing moment comes when an ashen-faced Tommy quietly reflects on the horror of war. Though perhaps he was merely contemplating his next page of dialogue.

Just how similar is this to Top Gun?

Extended aerial training montage? Check.

Alpha male meatheads engaging in testosterone-fuelled braggadocio? Check.

Soft-focus sex scene sound-tracked by a sax-heavy pop song? Check.

We hope those knickers were clean from the wash
Fire Birds even goes so far as giving Cage a dead best friend to grieve over. We all know Goose died in Top Gun. And it’s clearly where this film’s ideas of originality did too.

Mercifully, Fire Birds does spare us the sight, not to mention sound, of Nic Cage performing an a cappella version of a beloved Sixties pop hit.

But given the film’s sole attempt at an original scene involves Cage running around with a pair of scarlet coloured knickers over his head, maybe they should have just stuck to the karaoke.

What is the level of ‘Cage rage’?

Ah, Nicolas Cage. It’s quite possible that somewhere inside him is an actor of subtlety and craft.

Unfortunately, film fans remain stuck with the scenery-chewing show-off who has become a byword for actorly excess. Al Pacino could feasibly watch Cage’s movies and complain that, really, this is all a bit much.

From the moment the film begins, our leading equestrian seems determined to unleash the full range of his dubious talents. There are frequent outbursts of shouting, unexplained goofing, and the kind of exaggerated emotional responses generally only seen in an attention-seeking toddler.

All this grandstanding comes to a head in a marvellous scene of spectacularly unrestrained ‘Cage rage’. Practicing in a flight simulator, our Nic becomes so enamoured of his own abilities that he starts wildly shouting ‘I am the greatest’ over and over again.

Possibly the only thing more bizarre than Cage’s performance in this sequence is the fact that the director, and others responsible for this film, looked through this footage and agreed: “Yes, this is good. We can use this.”

Exploding helicopter action

Fire Birds contains the mother lode of exploding helicopters. And viewers don’t have to wait long before striking chopper fireball gold.

The film immediately throws us into an air combat duel between US pilots and the rogue ‘copter ace. After out-flying his opponents, the villain uses his chopper’s machineguns to shoot two whirlybirds out of the sky.

We also get two further helicopter explosions in the film’s big aerial finale, including Cage dramatically shooting down the villain after an extended dogfight.

And while you might expect the middle of the film to dip slightly, with too many ‘talkie’ bits and little of interest for the true chopper fireball fan, you’d be quite wrong.

In order to hone his skills, Cage is required to practice destroying enemy aircraft in a flight simulator. During the sequence, we get to see the Shergar’s less handsome brother shoot down nine – yes, nine – CGI helicopters.

Artistic merit

The real exploding helicopters are pretty good. Fire and wreckage fill the screen, but there are none of the thrills that the chopper combustion cognoscenti appreciate. For instance, we don’t get to see flaming wreckage fall to the ground, or rotor blades violently sheering off.

Meanwhile, the flight simulator fireballs are basic in the extreme. Little more than pixelated yellow splodges. In fairness, this was 1990 when even cutting edge computer graphics looked little better than a crayoned drawing.

Number of exploding helicopters

This is the point where Fire Birds becomes one of the most controversial films Exploding Helicopter has ever reviewed. Should the computer graphic helicopters destroyed in the flight simulator be counted in the final total?

It’s an important question as, were they to be included, Fire Birds would have a record breaking 13 exploding helicopters (Battleship is the current record holder with eight).

Having cogitated at length on this issue, Exploding Helicopter has felt it improper to include these chopper fireballs in the final tally.

Chopper fireball fans want to see real helicopters blown-up in all their fiery, rotor-bladed glory, not badly rendered computer graphics. Therefore, the final total has been officially ratified as four.

Exploding helicopter innovation

Only known destruction of a computer graphic helicopter.

The only similar examples we’ve seen are the animated chopper fireballs in Dreamworks’ Monsters vs Aliens and one in 22 Jump Street’s closing credits.

Favourite line

Sean Young uses a rocket launcher to shoot down a jet fighter before unconvincingly delivering the line: “Snort that, sucker.”


In keeping with a film full of empty bombast, the tagline is the entirely fatuous: ‘The best just got better’.

Review by: Jafo

Still want more? Then you can listen to our discuss Fire Birds on the Exploding Helicopter podcast. Listen on iTunes, Podomatic or YourListen.