Showing posts with label Klaus Kinski. Show all posts
Showing posts with label Klaus Kinski. Show all posts

Tuesday, 20 September 2011

Codename: Wild Geese

Yee gods. The things we do for this website. Having slogged our way through the other two films in this loose trilogy the completist in us felt duty bound to watch Codename: Wild Geese (1984) in the hope of another exploding helicopter.

Despite the title, Codename: Wild Geese is not related to The Wild Geese or it’s sequel, erm Wild Geese II. It is in fact the first of three action films, all starring Lewis Collins and directed by Antonio Margheriti, that were knocked out in rapid order in the mid 80s. (The previously reviewed Commando Leopard (1985) and The Commander (1988) complete the triptych). 

Collins plays Captain Robin Wesley. He’s hired to lead a team of mercenaries into the Thai jungle to destroy an opium factory run by a corrupt army General.

Alongside Collins we have veteran character actor Ernest Borgnine as devious DEA agent and legendary German wild man Klaus Kinski as the enforcer for a shadowy Hong Kong businessman. 

But before the mission can start, Wesley must find a pilot. He uses the Government connection to arrange the release of 'China' (Lee Van Cleef) an ace pilot. 

The group head off up river into the jungle. They meet up with some rebels who lead them to the an army base where they plan to steal a helicopter they need to complete their mission.

After pinching the chopper, they fly to the corrupt general's drug factory. They launch their attack and destroy the labs. However, the small squad hits some trouble and Van Cleef is forced to leave his helicopter to help a wounded colleague.

However, in a pointless but convenient plot twist, one of the rebels who has accompanied them on the raid is a double agent. He sneaks up on the helicopter and, using the butt of his rifle, smashes the helicopter's fuel tank.

He retreats a few yards and sets fire to the petrol before one of Wesley’s men, realising the betrayal, shoots the rebel dead. Too late though, the helicopter is consumed in a fireball. Looks like our heroes will have to walk their way out the jungle.

Artistic merit

This is a poor helicopter explosion. The producers clearly couldn’t afford to actually blow a helicopter up, or even a realistic looking prop. Instead they set off some explosives which are clearly in front of the chopper.

When the smoke clears we can make out the tail end of a helicopter next to a burning fire. Quite where the rest of the helicopter has gone I don’t know. Maybe it evaporated?

Exploding helicopter innovation

Despite blowing up trains, bridges, laboratories, cars and trucks director Anthonio Margeriti never really expends any effort on blowing up helicopters in creative ways. It’s almost like he doesn’t think they’re worth the effort. How wrong can a man be?

Positives

There’s some good helicopter action at the end of the movie when Collins fixes a flame thrower on the runners of a requisitioned chopper. He then flies around the enemy’s jungle lair turning many of the villains to toast.

There’s also a good helicopter scene where Collins and the surviving members of his team are pinned down in a hanger with the helicopter they need to escape.

Kinski decides to use an old lorry to smash his way into the hanger driving it at doors to the building. Collins, knowing that the only chance of escape past the soldier outside will be to make a rapid exit from hanger, plants a box of grenades by the hanger doors.

With the helicopter revved up and ready to go he explodes the grenades destroying the doors to the hanger and allowing them to swoop out of the hanger just before the lorry smashes into the hanger and where the chopper was sat only moments before. It’s nice to see a bit of imagination used here.

Negatives

The scene where the helicopter’s fuel tanks are bust open with the butt of a rifle were a surprise. I can’t say if this is accurate or not, but it’s hard to believe that any chopper’s fuselage is made out of metal as flimsy as baking foil.

And if Lewis Collins is supposed to be the bad ass mercenary that he is, would he really pin his entire escape plan on a helicopter that could be taken out with blowpipe?

Favourite quote

“Are you ok?”
“We’re only screaming to scare them.”

Interesting fact

The film co-stars Ernest Borgnine, an exploding helicopter legend for this work in the TV series Airwolf. Borgnine was 67 when he made this. Unbelievably, he is still a working actor today at the grand old age of 94, appearing last year in the film RED.

Review by: Jafo

Still want more? Then read the review of the film by our buddies DTV Connoisseur or listen to our podcast episode on the film. Listen via iTunes, Sticher, Acast, Spotify or right here.


Tuesday, 13 September 2011

Commando Leopard


Commando Leopard (1985) is the second of three action films that British tough actor Lewis Collins and exploitation legend Antonio Margheriti made together. 

Once again - the plots of these films are largely interchangeable - Collins leads a ragged band of mercenaries on a mission to kill a villain played by past-it actor looking to earn a quick paycheque (this time it’s Klaus Kinski who’s pimping out his name).

Despite regular and admittedly well-staged action scenes, the film is rather dull. It’s not helped by a storyline that fails to explain why our heroes are trying to overthrow the unidentified country’s president. 

Still, the special effects throughout are rather good. These include a spectacular airplane crash and exciting sequence when an oil refinery is blown up after a train is turned into a railway-rolling bomb. 

Anyway, at the start of the film Collins and his team fight their way into a power station with the aim of blowing it up. However, the defending troops summon reinforcements including a helicopter gunship. As the helicopter passes overhead Collins opens fire with his machine gun causing the chopper to explode.

Later in the film Kinski and his henchmen fly in choppers to shoot up a hospital, giving Collins the chance to use a grenade launcher on his rifle to take out the aircraft. 

Artistic merit

The first helicopter explosion is shown in slow motion - always a nice touch. But it’s shown from behind, so it feels like you’ve missed out on the best angle to view it.

The sequence is also edited in a very confusing way. Collins is clearly shown firing at the rear of the chopper. But after it explodes, we cut back to Collins who is now in front of the wreckage. Did he teleport at some point in proceedings?

The second chopper fireball is rather juicy especially the way the flames consume the wreckage. But it is spoilt by the sudden switch to a model helicopter which is completely different to the real one we just saw take off.

Number of exploding helicopters

Two.

Exploding helicopter innovation

Despite a good track record of regularly destroying helicopters director Antonio Margheriti has never pushed the boundaries of the genre. Once again, he fails to bring anything new to the art.

Positives

There is a hunky chunk of helicopter action for chopper fans to enjoy. A particular highlight is the raid on a village which supports the guerrillas. Choppers, with flame throwers fitted, to them fly in at night to torch the village.

Negatives

It’s a shame that the amount of love, care and attention that was put into realising the explosion of the airplane wasn’t put into the destruction of the helicopter. Director Antonio Margeriti energies were sadly misdirected on this occasion.

Interesting fact

At 15 million Swiss francs this was, at the time, the most expensive Swiss financed film ever.