Capricorn One

A wise man once said that sometimes the expectation of seeing a helicopter explode in a film is just as rewarding as the moment itself. Such was the case when I sat through 70’s conspiracy thriller Capricorn One (1978), recently.

Set in a kind of 70’s alternate reality where the US is engaged in a space race to get a man (or men) on Mars, we’re drawn into a world of subterfuge and conspiracy as they attempt to fake the landing and subsequently prevent anyone from finding out.

The motive for faking the mission comes after an oversight by NASA boffins leaves the shuttle’s life-support system ill-equipped to, well, support any life. Rendering it just a “system”, I suppose.

So as not to lose face in front of the pen pushers in Congress by postponing the mission, Dr Kelloway (played to perfection by Hal Holbrook) decides to fake the mission.

His plan is to send an empty shuttle into space and rely on his snake-like powers of persuasion and a couple of guarded threats to bring our reluctant astronauts on side - played by James Brolin, Sam Waterston and OJ Simpson.

After that, all the astronauts need to do is enact the actual Mars landing on a specially constructed sound-stage somewhere in the middle of the Nevada desert.

And this is where things get interesting. When the real shuttle unexpectedly burns up upon re-entering Earth’s atmosphere, killing all of its supposed crew, it’s down to Dr Kelloway to ensure the astronauts - who are now dead to the world – follow, tout suite.

Acting more like college drop-outs than scientists - Brolin, Waterston & OJ play the least convincing astronauts you’re likely to meet this side of spring-break in Fort Lauderdale. How OJ was even chosen for this mission - remember, this mission was meant to be genuine to begin with! - defies belief.

Regardless, these chumps miraculously manage to escape the secret government compound in the desert and spend, more or less, the entire 3rd act of the film involved in a cat and mouse chase with two mysterious black military helicopters.

It’s at this point that my anticipation levels went through the roof. We know these birds are going down in a plume of smoke and twisted metal - it’s just a question of how and when.

With endless possibilities racing through my mind, I can barely be bothered with the other plot line involving rogue journalist Elliot Gould and his attempts to blow the whistle on the whole charade.

So, back to the exploding helicopters and it’s a whole 115 minutes into the films runtime that director Peter Hyams finally shows us what kind of a man he is. Albeit, with the help of some pretty heavyweight Hollywood muscle.

In one of cinema’s more bizarre cameos, Telly Savalas makes a surprisingly comic turn as a narcky old crop-duster pilot who agrees to lend Gould the use of his biplane to search for the missing astronauts.

This leads to an impressive aerial dog-fight between the plane and the two choppers, with Brolin clinging grimly to the plane’s wing. With jagged rocks and hazardous terrain aplenty, it becomes clear how these two choppers will meet their inevitable demise.

Savalas plunges the crop-duster towards an incoming cliff face, barking at Gould to “pull the lever” and release the crop spray. Temporarily blinded, our hapless chopper pilots career into the rock face.

Quite how they hadn’t foreseen this impending obstacle baffles me - movie pilots seem to be devoid of all spatial awareness and depth of field, I’ve noticed.

Chopper one hits the rock face nose first and drops like a stone. No explosion. Was someone asleep on the job. I break into a cold sweat. Surely we haven’t come this far together be denied at the final hurdle?

Fortunately, the pyro-technician for the second chopper is wide awake and it goes up like a Christmas tree. Normality restored, I can relax a little.

For reasons I’m not quite sure, Savalas then shouts “perverts!” for comic effect. By this point one can only assume that Gould was scrabbling to find the lever with the words ‘ejector seat’ on it.

With these two relatively pedestrian helicopter explosions out of the way we’re then treated to one of the strangest sequences to end a movie ever committed to film.

Brolin runs in slow-motion through a cemetery to gatecrash his own funeral. Hyams repeatedly cuts away to the mourners, who remain at normal speed, then back to slow-mo Brolin, and so on and so on, for what seems like an eternity.

What grates about this scene is that Hyams could have employed the same technique to much better effect on the previous helicopter explosions.

“Pervert!” I say.

Number of exploding helicopters

One.

Exploding helicopter innovation

None really. Relatively predictable helicopter vs. rock face premise. Standard usage of 70s pyrotechnics and remote controlled chopper technology. No gimmickry. Old-school.

Positives

The expectation of seeing these two choppers explode far outweighs the pay-off.

Negatives

The lack of slow-motion chopper explosions despite the overuse of it a few minutes later. Unforgivable.

Telly Savalas.

Favourite quote

“Hey, Dr. Kelloway. Funny thing happened on the way to Mars.”

Interesting fact

The film features two military “black helicopters”, which is now a term that’s become synonymous with conspiratorial military activity in the United States.

Review by: Boty

Check out the Exploding Helicopter podcast episode on Capricorn One on iTunes, Podomatic, YourListen or Stitcher.

Sudden Death

Ever wanted to see 'Die Hard in an ice rink'? Well, you need to watch Sudden Death (1995)/ 

Jean-Claude Van Damme plays a security guard who works at an ice hockey stadium. During an important game, terrorists led by Powers Boothe take the US Vice President hostage and threaten to blow-up the stadium unless he’s given a billion dollars.

Unfortunately for the villains Van Damme’s security guard happens to be an expert in bomb disposal, a whizz at building improvised weapons, and - even more improbably - a semi-pro hockey player.

This allows 'Van Dammage' to disarm the bombs, kill the heavily armed terrorists with an increasingly inventive arsenal of makeshift weapons, and make a game-changing save in the Stanley Cup ice hockey final. Who on Earth writes this stuff?

Exploding helicopter action

In a bid to free the Vice President, the Secret Service orders in two helicopters to sneak some special forces inside the stadium. However, Boothe - the poor man's Tommy Lee Jones - has anticipated this move, and has a comrade equipped with a rocket launcher handily stashed on the top of nearby building.

The baddie fires on the chopper. Perhaps due to budget constraints, we don’t actually see the helicopter explode. We only see some flaming wreckage on the ground and the body of a special forces soldier who had been hanging on to a rope and dangling from the helicopter.

The climax of the film involves some excellent helicopter based action. With his scheme in tatters Powers Boothe attempts to make his getaway while disguised in a comedy wig and moustache. He hoofs it up to the roof where a helicopter is waiting to fly him away.

After brawling with Van Damme, Boothe boards the chopper which begins to fly away. But with uncanny precision, the Muscles from Brussels shoots the pilot through the bottom of the helicopter. The pilot slumps back which makes the nose of the helicopter point directly upwards. As the rotor blades are no longer able to generate any lift, the helicopter plunges downward into the ice rink.

We get to see lots of close ups of Powers Boothe – still in comedy wig and moustache desperately try to regain control of the chopper. To draw out the drama of the climax the chopper’s crash to the ground takes an impossibly long time, as we see the helicopter travel the same short distance from multiple angles.

The helicopter appears to glide past Van Damme at glacial pace, allowing JCVD and Boothe to exchange some heavy looks. The gravity of this moment being undermined by Boothe’s comedy wig and moustache.

Number of exploding helicopters

2. Probably. The shonky direction makes it hard to be definitive.

Exploding helicopter innovation

I’ve never seen a helicopter fall “arse first” – for lack of a better description – out of the sky before. The descent is handled a bit like the chopper was a falling elevator allowing those moody looks between Booth and Van Damme.

Artistic merit

The first helicopter explosion is a bit of a cheat as it’s not shown on screen fully. The climatic helicopter explosion is filmed gloriously as we get to enjoy multiple angles as it makes its gravity defying slow descent towards the ice rink and it’s inevitable immolation. The explosion is somewhat conventional. The fireball looks a bit watery. It lacks those deep, luxurious, oranges and reds that the best explosions have.

Do passengers survive?

My favourite outcome, everyone dies.

Positives

Whilst it might be bordering on daft, director Peter Hyams (Outland, Timecop) wrings every last drop of dramatic tension from the sequence. The repeated extended close-ups of Powers Boothe face as he plummets to his death are great. The pain of knowing his final moments on camera in this film are are going to be whilst wearing a ridiculous wig and moustache are writ large across his face.

Negatives

There’s no getting away from the fact that the first helicopter explosion was a fluffed opportunity to show a big, bright, burning chopper fireball.

Review by: Jafo

You can also listen to the Exploding Helicopter podcast episode on Sudden Death on iTunes, Stitcher, Podomatic and YourListen.